Our Friend Review – Curiosities of Loss and Friendship

Matthew Teague’s article “The Friend,” which ran in Esquire about six years ago, is not the work of someone who doesn’t know exactly what they’re doing in coming up with a title. It can be a torturous read, especially if you are no stranger to prolonged death, but while it has to do with death, that isn’t what it’s about. Teague explains it himself when at one point Dane, the friend, says to him, “I thought you were writing about her,” and he responds, “So did I.”

Our Friend covers more ground than the article, although it bewilderingly also does not, but it doesn’t change the focus, and that’s an achievement in itself. Matt (Casey Affleck) is slowly going to come to grips with the fact that his wife, Nicole (Dakota Johnson), is dying of cancer. It’s a long, slow death, and Matt is not only faced with an unimaginable reality, but he’s struck by the fact that no one ever tells you what death is really like. Worse, perhaps, within the realm of shattering his reality, is the fact that people more familiar with such things keep telling him things he can’t believe they would say, or want him to hear – like that before it’s all over he will pray for it to just end.

Matt also has two young daughters, and he and Nicole obviously struggle with the best way to manage their trip through the loss of their mother. When Matt’s world isn’t the gradual deterioration of his wife, or her bounce back periods when she pretends she’s fine, it’s a constant confrontation with the existence that’s fast approaching, when he’s a single parent with kids who are understandably lashing out.

But, that’s a story you could tell a hundred times a day, and while Matt and Nicole are certainly unique people with their own set of relationship quirks, it’s Dane (Jason Segel) that stands out as demanding exploration. An old friend of the couple, Dane offers to come help out for a couple of weeks, and never leaves.

Photo Credit: Claire Folger

“Important,” is a word that loses all meaning in wandering through this life experience, because what could ever be referred to as not important, or judged more or less important than anything else? Still, when Matt is forced to reflect, Dane’s abandonment of his own life, his job, and his own relationship, is undeniably… interesting. Especially when confronted with the idea that it simply never occurred to Dane not to do it.

Our Friend is a film that curiously is best in all the ways that don’t stand out, which makes it unlikely it will manage the attention it truly deserves. Affleck and Johnson at least have roles that give them some room to demonstrate abilities in ways that are apt to be noticed, and they both give solid efforts. Affleck reminds of his turn in Manchester by the Sea, though he doesn’t have to give us the conflict that made that role shine. Segel, on the other hand, has to play a quiet unicorn who is not only a nearly unbelievable character, but one who has no real interest in revealing himself. The rub is that when he is, for example, talking to his girlfriend he has to believably offer up some insight into a person who doesn’t seem to understand the language. She wants him to explain why he’s doing what he’s doing, he can’t answer, but he has to give us a window he can’t give her. He does, and it’s deceptively complex.

Similarly, the film is directed with a hand and eye toward simplicity, which makes it seem like anyone might have done it, but it’s a triumph of subtlety for Gabriela Cowperthwaite (of Blackfish fame). At times it almost feels like a documentary, a teasing out of that which makes this rare creature tick.

The title should have remained, because it has its own meaning and relays that a slightly different undertaking will follow. He was always “our friend,” even pre-crucible, but the story is finding out who he really is.

Movie
9
Marc Eastman
Marc Eastman is the owner and operator of Are You Screening? and has been writing film reviews for over a decade, and several branches of the internet's film review world have seen his name. He is also a member of The Broadcast Film Critics Association and The Broadcast Television Journalists Association.

Must Read

Star Wars: The Bad Batch Review – Animation Again Proves Stellar Vehicle

The world of animated efforts within the Star Wars universe has proven a surprising treat for more than a decade with both...

Mortal Kombat Review (2021) – Video Game Adaptation Leaves Plot Requirement At Snack Bar

At some point we have to admit that there are movies that simply aren't. They aren't even trying to be, and we...

The Mitchells vs. The Machines Review – You Got Your Robot Apocalypse In My Family Roadtrip

The only real drawback to The Mitchells vs. the Machines is one that is injected into the film by design, and that's...

Trending

Shadow and Bone Review – Netflix Crushes High YA Fantasy

Based on the novel series of the same name, Shadow and Bone follows events in a richly developed world of magic and...

New Amsterdam Review – Hospital Drama Goes Full Hospital

Given that virtually all dramas, especially on network television, revolve around cops or doctors, it isn't surprising that they are as beholden...

Tin Star Review – Tim Roth Tackles Big Oil And Personality Flaws

Tim Roth's Tin Star is easily one of the best performances the year will offer, though the show itself doesn't quite live up to that. It's a wildly fun thriller, but it will make you uncomfortable to say that, and it's one you'll definitely find yourself wanting to binge.

Dont' Miss The Best Of The Decade

Podcast