Moxie Review – High School Feminism By Secret Identity
One of the hurdles of any film that takes place in High School is that you have to decide the degree to which you are going to oversimplify everything,...
The Little Things Review – Rework of ’90s Cop Films Minus Purpose
John Lee Hancock is a very particular niche, and with the possible exception of The Alamo, he's proven himself as the director you want for putting a particular character...
Our Friend Review – Curiosities of Loss and Friendship
Matthew Teague's article "The Friend," which ran in Esquire about six years ago, is not the work of someone who doesn't know exactly what they're doing in coming up...
The Midnight Sky Review – Rambling Towards Little
The Midnight Sky is like one of the best road trips you've ever taken, but when you get where you're headed it turns out the place never existed. As...
Black Bear Review – Elaborate Kantian Ethics Koan With Manipulative Artists?
Writer/Director Lawrence Michael Levine is a filmmaker who spins strange yarns delivered through often uncomfortable conversations that are generally a combination of superb realism and the utterly implausible. In...
